{"id":5177,"date":"2015-08-21T22:40:00","date_gmt":"2015-08-22T02:40:00","guid":{"rendered":"https:\/\/toutlemonde-ux.com\/?p=5177"},"modified":"2019-02-22T12:41:50","modified_gmt":"2019-02-22T17:41:50","slug":"ux-musique-3-septembre-2015","status":"publish","type":"post","link":"https:\/\/toutlemonde-ux.com\/?p=5177","title":{"rendered":"UX \/ Musique – 3 septembre 2015"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″][et_pb_row][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text]<\/p>\n

Au-del\u00e0 du pouvoir \u00e9motionnel qu\u2019elle exerce sur l\u2019humain, la musique est souvent pr\u00e9curseur des r\u00e9volutions technologiques qui red\u00e9finissent sans cesse notre fa\u00e7on de cr\u00e9er et de consommer<\/strong>.<\/p>\n

Pensez \u00e0 toutes ces innovations technologiques amen\u00e9es par l\u2019industrie de la musique: la num\u00e9risation des donn\u00e9es, le peer-to-peer<\/em>, les syst\u00e8mes de recommandation, la diffusion en continu et les logiciels de cr\u00e9ations tels que ProTools<\/em> et GarageBand<\/em>. Il ne fait aucun doute que l\u2019univers de la musique repousse sans cesse les barri\u00e8res et ouvre parfois le chemin pour les autres industries.<\/p>\n

Pour la rentr\u00e9e de TLMUX, nous nous int\u00e9resserons donc \u00e0 la musique. Nous recevrons\u00a0: Dalia El-Shimy<\/strong> de chez Shopify<\/strong> pour nous parler de la m\u00e9thodologie de l\u2019exp\u00e9rience utilisateur en relation avec la musique, St\u00e9phanie Johnston<\/strong>\u00a0et Vien Bui<\/strong> de chez Stingray<\/strong>\u00a0pour nous parler de l\u2019identit\u00e9 musicale en magasin et Justin Evans<\/strong> de chez LANDR Audio<\/strong> pour nous parler du logiciel de matri\u00e7age audio LANDR.<\/p>\n

La coop Ecto a d\u00e9m\u00e9nag\u00e9 au\u00a0936 avenue Mont-Royal Est.<\/p>\n

D\u00e9couvrez la vid\u00e9o et le r\u00e9capitulatif de la soir\u00e9e.<\/a><\/p>\n

Conf\u00e9renciers<\/h2>\n

From UX to Music and Back<\/strong>\u00a0\u00a0<\/span>(en anglais)<\/h3>\n

For many years now, a number of researchers in the field of music technology\u2013a multidisciplinary area combining computer science, engineering, music, and even at times physics and neuroscience\u2014have been inspired by knowledge from human-computer interaction, and borrowing user-centered design techniques to create new interfaces that engage and delight musicians. In contrast, however, the reverse of this relationship has been far less explored: could knowledge be exported back from musical performance to help us expand on existing UX practices? This talk explores the overlap between UX and music, looking at ways in which designers and developers can better understand musicians, and the benefits of working with such a unique and creative type of end user.<\/span><\/p>\n

Dalia El-Shimy<\/span><\/strong><\/p>\n

Dalia is a UX Researcher at Shopify, a role in which she aims develop a deep understanding of the merchants who use the platform, and in turn use this knowledge to help guide her fellow designers and developers. Before joining Shopify, she completed a Ph.D. and helped teach the course in Human-Computer Interaction at McGill University. During that time, she became fascinated with the overlap between UX and music, and sought to uncover how designers could benefit from working with creative and artistic users such as musicians, a topic on which she has published several papers and journal articles.<\/span><\/p>\n

Comment tuer la musique d\u2019ascenseur<\/strong><\/h3>\n

Toutes les marques internationales de renom utilisent de la musique et y investissent comme \u00e9l\u00e9ment essentiel de leur strat\u00e9gie de communication. Comment sommes-nous pass\u00e9s de la musique dite \u2018\u2019d\u2019ascenseur\u2019\u2019 \u00e0 la musique vari\u00e9e et recherch\u00e9e diffus\u00e9e aujourd\u2019hui dans les plus importants espaces commerciaux? Dans cette pr\u00e9sentation, nous passerons en revue l\u2019\u00e9volution de la musique en magasin ainsi que l\u2019impact que les d\u00e9cideurs d\u2019entreprises et les changements de go\u00fbts des consommateurs ont eu sur celle-ci. Nous d\u00e9taillerons aussi quels ajustements technologiques ont \u00e9t\u00e9 n\u00e9cessaires pour permettre aux compagnies comme Stingray de traduire en musique la vision de ses clients.<\/p>\n

St\u00e9phanie Johnston:
\n<\/span><\/strong>Gestionnaire marketing chez Stingray<\/strong><\/p>\n

St\u00e9phanie est responsable, en collaboration avec l\u2019\u00e9quipe de programmateurs, de la cr\u00e9ation et de la promotion d\u2019offres musicales pertinentes et all\u00e9chantes pour les commerces canadiens.<\/p>\n

Int\u00e9ress\u00e9e par la musique d\u00e8s son plus jeune \u00e2ge, elle est d\u00e9tentrice d\u2019un Baccalaur\u00e9at en Commerce \u00e0 McGill qui lui permet aujourd\u2019hui d\u2019appliquer les principes de la gestion et du marketing au domaine musical. Chez Stingray, St\u00e9phanie passe une majeure partie de son temps \u00e0 \u00e9tudier l\u2019influence de la musique sur les consommateurs. Les r\u00e9sultats des recherches de son \u00e9quipe ont \u00e9t\u00e9 partag\u00e9s avec Infopresse, Bar and Beverage Magazine et la Gazette. Avant de travailler chez Stingray, St\u00e9phanie a \u00e9t\u00e9 responsable du d\u00e9veloppement des affaires chez Camuz, une r\u00e9f\u00e9rence web montr\u00e9alaise pour noctambules avertis.<\/p>\n

Vien Bui
\n<\/strong>Gestionnaire de projets en R et D<\/strong> chez Stingray<\/strong><\/p>\n

Vien Bui contribue \u00e0 la croissance de Stingray depuis 2009 et s\u2019est officiellement joint \u00e0 l\u2019aventure en 2011. Il a plus de 10 ans d\u2019exp\u00e9rience en d\u00e9veloppement logiciel et s\u2019est sp\u00e9cialis\u00e9 avec les ann\u00e9es dans l\u2019am\u00e9lioration des processus de d\u00e9veloppement et de gestion. Chez Stingray, il a particip\u00e9 au d\u00e9veloppement des syst\u00e8mes de gestion des actifs multim\u00e9dia et de g\u00e9n\u00e9ration de liste d\u2019\u00e9coute. Vien est passionn\u00e9 par tous les aspects de la technologie et de son interaction avec les humains.<\/p>\n

Anticipatory Problems (or the difficulties with knobs and dials in a flatter world) \u00a0<\/strong>(En anglais)<\/span><\/h3>\n

The\u00a0conference:<\/strong><\/p>\n

In my talk I will discuss the cultural reasons why music software has universally ignored UI best practices and the irony implicit in brining contemporary practices like anticipatory design into the field of music tools where they can open access boundaries that \u201cexperts\u2019 often prefer to keep closed.<\/p>\n

Justin Evans
\n<\/strong>Chief Creative Officer chez LANDR Audio<\/strong><\/p>\n

Justin Evans has over 15 years of history of building exceptional digital and brand experiences. He has helped strategize and create branding, Websites, marketing and social media strategy for FedEX, TechCrunch, DST Output, the Environmental Defence Fund, and many others. Also, he has helped brilliant thought leaders with their Web strategy, book marketing (2 NYT bestsellers and counting), and branding, including Fred Krupp, Carl Safina, Julien Smith, Charles H. Green and David Maister.<\/p>\n

He is currently the co-founder and the product vision behind LANDR, the World’s first Artificial Intelligence Mastering service. Finally, he also co-manages and co-curates Stable, an interdisciplinary arts centre with his wife, Dana Gingras.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb3.19.15″][et_pb_column type=\u00a0\u00bb4_4″][et_pb_text _builder_version=\u00a0\u00bb3.19.15″]<\/p>\n

Commanditaires<\/h2>\n

[\/et_pb_text][et_pb_gallery _builder_version=\u00a0\u00bb3.19.15″ gallery_ids=\u00a0\u00bb6692,6691,6684,6690,6685,6686,6683,6682,6680,6704,6706,6707″ posts_number=\u00a0\u00bb12″ show_title_and_caption=\u00a0\u00bboff\u00a0\u00bb show_pagination=\u00a0\u00bboff\u00a0\u00bb hover_overlay_color=\u00a0\u00bbrgba(255,255,255,0.9)\u00a0\u00bb border_width_all_image=\u00a0\u00bb30px\u00a0\u00bb border_color_all_image=\u00a0\u00bb#ffffff\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div>
\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Au-del\u00e0 du pouvoir \u00e9motionnel qu\u2019elle exerce sur l\u2019humain, la musique est souvent pr\u00e9curseur des r\u00e9volutions technologiques qui red\u00e9finissent sans cesse notre fa\u00e7on de cr\u00e9er et de consommer. Pensez \u00e0 toutes ces innovations technologiques amen\u00e9es par l\u2019industrie de la musique: la num\u00e9risation des donn\u00e9es, le peer-to-peer, les syst\u00e8mes de recommandation, la diffusion en continu et […]<\/p>\n","protected":false},"author":3,"featured_media":5188,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

Au-del\u00e0 du pouvoir \u00e9motionnel qu\u2019elle exerce sur l\u2019humain, la musique est souvent pr\u00e9curseur des r\u00e9volutions technologiques qui red\u00e9finissent sans cesse notre fa\u00e7on de cr\u00e9er et de consommer<\/strong>.<\/p>

Pensez \u00e0 toutes ces innovations technologiques amen\u00e9es par l\u2019industrie de la musique: la num\u00e9risation des donn\u00e9es, le peer-to-peer<\/em>, les syst\u00e8mes de recommandation, la diffusion en continu et les logiciels de cr\u00e9ations tels que ProTools<\/em> et GarageBand<\/em>. Il ne fait aucun doute que l\u2019univers de la musique repousse sans cesse les barri\u00e8res et ouvre parfois le chemin pour les autres industries.<\/p>

Pour la rentr\u00e9e de TLMUX, nous nous int\u00e9resserons donc \u00e0 la musique. Nous recevrons\u00a0: Dalia El-Shimy<\/strong> de chez Shopify<\/strong> pour nous parler de la m\u00e9thodologie de l\u2019exp\u00e9rience utilisateur en relation avec la musique, St\u00e9phanie Johnston<\/strong>\u00a0et Vien Bui<\/strong> de chez Stingray<\/strong>\u00a0pour nous parler de l\u2019identit\u00e9 musicale en magasin et Justin Evans<\/strong> de chez LANDR Audio<\/strong> pour nous parler du logiciel de matri\u00e7age audio LANDR.<\/p>

La coop Ecto a d\u00e9m\u00e9nag\u00e9 au\u00a0936 avenue Mont-Royal Est.<\/p>

D\u00e9couvrez la vid\u00e9o et le r\u00e9capitulatif de la soir\u00e9e.<\/a><\/p>

Conf\u00e9renciers<\/h2>

From UX to Music and Back<\/strong>\u00a0\u00a0<\/span>(en anglais)<\/h3>

For many years now, a number of researchers in the field of music technology\u2013a multidisciplinary area combining computer science, engineering, music, and even at times physics and neuroscience\u2014have been inspired by knowledge from human-computer interaction, and borrowing user-centered design techniques to create new interfaces that engage and delight musicians. In contrast, however, the reverse of this relationship has been far less explored: could knowledge be exported back from musical performance to help us expand on existing UX practices? This talk explores the overlap between UX and music, looking at ways in which designers and developers can better understand musicians, and the benefits of working with such a unique and creative type of end user.<\/span><\/p>

Dalia El-Shimy<\/span><\/strong><\/p>

Dalia is a UX Researcher at Shopify, a role in which she aims develop a deep understanding of the merchants who use the platform, and in turn use this knowledge to help guide her fellow designers and developers. Before joining Shopify, she completed a Ph.D. and helped teach the course in Human-Computer Interaction at McGill University. During that time, she became fascinated with the overlap between UX and music, and sought to uncover how designers could benefit from working with creative and artistic users such as musicians, a topic on which she has published several papers and journal articles.<\/span><\/p>

Comment tuer la musique d\u2019ascenseur<\/strong><\/h3>

Toutes les marques internationales de renom utilisent de la musique et y investissent comme \u00e9l\u00e9ment essentiel de leur strat\u00e9gie de communication. Comment sommes-nous pass\u00e9s de la musique dite \u2018\u2019d\u2019ascenseur\u2019\u2019 \u00e0 la musique vari\u00e9e et recherch\u00e9e diffus\u00e9e aujourd\u2019hui dans les plus importants espaces commerciaux? Dans cette pr\u00e9sentation, nous passerons en revue l\u2019\u00e9volution de la musique en magasin ainsi que l\u2019impact que les d\u00e9cideurs d\u2019entreprises et les changements de go\u00fbts des consommateurs ont eu sur celle-ci. Nous d\u00e9taillerons aussi quels ajustements technologiques ont \u00e9t\u00e9 n\u00e9cessaires pour permettre aux compagnies comme Stingray de traduire en musique la vision de ses clients.<\/p>

St\u00e9phanie Johnston:
<\/span><\/strong>Gestionnaire marketing chez Stingray<\/strong><\/p>

St\u00e9phanie est responsable, en collaboration avec l\u2019\u00e9quipe de programmateurs, de la cr\u00e9ation et de la promotion d\u2019offres musicales pertinentes et all\u00e9chantes pour les commerces canadiens.<\/p>

Int\u00e9ress\u00e9e par la musique d\u00e8s son plus jeune \u00e2ge, elle est d\u00e9tentrice d\u2019un Baccalaur\u00e9at en Commerce \u00e0 McGill qui lui permet aujourd\u2019hui d\u2019appliquer les principes de la gestion et du marketing au domaine musical. Chez Stingray, St\u00e9phanie passe une majeure partie de son temps \u00e0 \u00e9tudier l\u2019influence de la musique sur les consommateurs. Les r\u00e9sultats des recherches de son \u00e9quipe ont \u00e9t\u00e9 partag\u00e9s avec Infopresse, Bar and Beverage Magazine et la Gazette. Avant de travailler chez Stingray, St\u00e9phanie a \u00e9t\u00e9 responsable du d\u00e9veloppement des affaires chez Camuz, une r\u00e9f\u00e9rence web montr\u00e9alaise pour noctambules avertis.<\/p>

Vien Bui
<\/strong>Gestionnaire de projets en R et D<\/strong> chez Stingray<\/strong><\/p>

Vien Bui contribue \u00e0 la croissance de Stingray depuis 2009 et s\u2019est officiellement joint \u00e0 l\u2019aventure en 2011. Il a plus de 10 ans d\u2019exp\u00e9rience en d\u00e9veloppement logiciel et s\u2019est sp\u00e9cialis\u00e9 avec les ann\u00e9es dans l\u2019am\u00e9lioration des processus de d\u00e9veloppement et de gestion. Chez Stingray, il a particip\u00e9 au d\u00e9veloppement des syst\u00e8mes de gestion des actifs multim\u00e9dia et de g\u00e9n\u00e9ration de liste d\u2019\u00e9coute. Vien est passionn\u00e9 par tous les aspects de la technologie et de son interaction avec les humains.<\/p>

Anticipatory Problems (or the difficulties with knobs and dials in a flatter world) \u00a0<\/strong>(En anglais)<\/span><\/h3>

The\u00a0conference:<\/strong><\/p>

In my talk I will discuss the cultural reasons why music software has universally ignored UI best practices and the irony implicit in brining contemporary practices like anticipatory design into the field of music tools where they can open access boundaries that \u201cexperts\u2019 often prefer to keep closed.<\/p>

Justin Evans
<\/strong>Chief Creative Officer chez LANDR Audio<\/strong><\/p>

Justin Evans has over 15 years of history of building exceptional digital and brand experiences. He has helped strategize and create branding, Websites, marketing and social media strategy for FedEX, TechCrunch, DST Output, the Environmental Defence Fund, and many others. Also, he has helped brilliant thought leaders with their Web strategy, book marketing (2 NYT bestsellers and counting), and branding, including Fred Krupp, Carl Safina, Julien Smith, Charles H. Green and David Maister.<\/p>

He is currently the co-founder and the product vision behind LANDR, the World's first Artificial Intelligence Mastering service. Finally, he also co-manages and co-curates Stable, an interdisciplinary arts centre with his wife, Dana Gingras.<\/p>","_et_gb_content_width":"","_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[67],"tags":[],"class_list":["post-5177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conferences-passees"],"_links":{"self":[{"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=\/wp\/v2\/posts\/5177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5177"}],"version-history":[{"count":0,"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=\/wp\/v2\/posts\/5177\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=\/wp\/v2\/media\/5188"}],"wp:attachment":[{"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/toutlemonde-ux.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}